Compare

Fujifilm GFX 100 II Large Format Camera Body – Black

New Arrival

₹799,999 *incl. of all taxes

Availability: In Stock
Available Offers
  • Zero Cost EMI up-to 12 months* on Credit/Debit cards
  • Special Offer: Hard Case + Free BC-W235 worth 6,299
  • Two Years Warranty
  • Free Shipping

 

Categories: , Tags: , ,

Guaranteed Safe Checkout

Trust Bages

MORE THAN FULL FRAME

New beginnings don’t start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration.

GFX100 II continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.

If it’s time to find some direction, discover one to new opportunities with GFX100 II.

Features

HIGH SPEED 102 MP SENSOR | X-Processor 5

GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.

High Speed Performance

A New Era in Autofocus

Subject Detection AF

X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.

︎©Markus Berger

Updated AF algorithm

GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.

©Markus Berger

High Performance at High Speed

8fps High-Speed Burst

GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
*When mechanical shutter is selected

︎©Chen Lei

120fps Display Frame Rate in Boost Mode

Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.

︎©Shelley Pearson

Shortened Intervals and Decreased Viewfinder Blackout

Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.

5.3fps Blackout-Free Burst Operation

GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.
*When setting to electronic shutter

︎©Hendrik Osula

Other functions for High Speed

Zone Custom Setting

AF-C Custom Setting

Number of Focus Points

The Ultimate in Image Quality

GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you’ve never witnessed before.

©Alexandrov Klum

©Oskar Bakke

©Yuhan Ma

ISO 80 Standard Sensitivity

By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

©Satoshi Minakawa

Improved Quality in Every Corner

Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.

©Michael Clark

HEIF Image Format Support

GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.

©︎Jonathan Bielaski

Pixel Shift Multi-Shot

For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.

©︎Hirotsugu Komiya

New film simulation REALA ACE

Enjoy the latest iteration of Fujifilm’s renowned color science – REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.

©︎Yukio Uchida

Other functions for Still

IPTC metadata

Auto White Balace

White Balance shift

Grain Effect

Color Chrome Effect

Color Chrome FX Blue

Smooth Skin Effect

Clarity

Power and Precision for Video

4K/60p, 8K/30p, FHD/120p
4:2:2 10-bit Internal Recording

Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.

GF Format Support for Multiple Cine Recording Formats

In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.

GF

Premista

Grain Effect

Anamorphic(35mm)

Improved Subject Tracking

Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.

High speed rolling
shutter

Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.

F-Log2 Support

GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.
*When setting to F-Log2 D Range Priority

Compatible with Frame.io Camera to Cloud

Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.

New MF assist Focus MAP

For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.

RAW output via HDMI

Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

FAN-001 Cooling Fan

Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.

Recording to External SSD via USB

Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p. *
*Depending on the type of SSD, there are some modes and formats that cannot be recorded.
Please check the compatibility list for SSD.

Other functions for Video

*AirGlu™ is a trademark and a registered trademark of Atomos.

Waveform

Vectorscope

F-log2 D Range Priority Mode

ATOMOS AirGlu™ BT
Wireless Timecode*

Pixel Mapping

Rec Frame Indicator

IS Mode Boost

Zebra Setting

Frame With Confidence

Up to 8.0 Stops of In-Body Image
Stabilization

Low light? NO worries! GFXIOO II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops Of image stabilization* — more than any Other Fujifilm camera. Confidently work hand- held in almost any lighting conditions, unlocking new levels Of creativity for stills and video.
*Based on CIPA standards, when with the FUJINON G F63mmF2.8 R WR

9.44 Million Dot 1.0x EVF

GFX100 II’s EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view.

©︎Michael Clark

Detail in Design

A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.

New Leather Pattern BISHAMON-TEX™

Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a traditional Japanese-inspired imprint that improves grip in all directions.

Enhanced Top-Plate

A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.

Three Fn Buttons

Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.

Specifications

Specification

Model name FUJIFILM GFX100 II
Lens Mount FUJIFILM G mount
Image sensor 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Number of effective pixels 102 million pixels
Sensor cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
Exposure control TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Shutter type Focal Plane Shutter
Continuous shooting CH Electronic shutter Approx. 8.7fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames,
Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 260 frames,
Compressed RAW + JPEG 156 frames, Lossless compressed RAW + JPEG 148 frames, Uncompressed RAW + JPEG 71 frames)
CH Electronic shutter Approx. 5.8fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames,
Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames,
Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)
CH Electronic shutter Approx. 5.3fps (No. of recordable frames: JPEG 1000+ frames,
Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 390 frames,
Compressed RAW+JPEG 119 frames, Lossless compressed RAW+JPEG 119 frames, Uncompressed RAW+JPEG 98 frames)
CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 325 frames, Lossless
compressed RAW 302 frames, Uncompressed RAW 76 frames, Compressed RAW+JPEG 75 frames, Lossless
compressed RAW+JPEG 75 frames, Uncompressed RAW+JPEG 55 frames)
CH Mechanical shutter Approx. 5.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames,
Lossless compressed RAW 1000+ frames, Uncompressed RAW 497 frames, Compressed RAW+JPEG 153 frames, Lossless
compressed RAW+JPEG 152 frames, Uncompressed RAW+JPEG 116 frames)
CL Mechanical shutter Approx. 2.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames,
Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames,
Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)
*Electronic Front Curtain Shutter support CL only.
*No. of recordable frames are calculated based on CFexpress Type B card in a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF: 0.64 inch OLED Color Viewfinder, Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5～+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° )
Built-In Eye Sensor
LCD monitor 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Sub LCD monitor 2.09 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 320x219-dot
Film simulation mode 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic
Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G
Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Color Yes
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Clarity setting ±5 steps
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Dimensions Width: 152.4mm Height: 117.4mm Depth: 98.6mm (Minimum Depth: 46.5mm)
Excluding EVF Width: 152.4mm Height: 103.5mm Depth: 73.5mm (Minimum Depth: 46.5mm)
Weight including battery and memory card: Approx. 948g (including EVF: 1,030g) excluding battery and memory card: Approx. 867g (including EVF: 949g)
Accessories included Interchangeable electronic viewfinder EVF-GFX3
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover Vertical battery grip connector cover
Memory card slot cover
Sync terminal cover
Cooling fan connector cover
Cable protector

File Format of Still Image

DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32*¹
HEIF 4:2:2 10bit
RAW 14bit / 16bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)

Number of Recorded Pixels

［L］ 〈4:3〉 11648 x 8736 〈3:2〉 11648 x 7768 〈16:9〉 11648 x 6552 〈1:1〉 8736 x 8736 〈65:24〉 11648 x 4304 〈5:4〉
10928 x 8736 〈7:6〉 10192 x 8736
［M］ 〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉
7744 x 6192 〈7:6〉 7232 x 6192
［S］ 〈4:3〉 4000 x 3000 〈3:2〉 4000 x 2664 〈16:9〉 4000 x 2248 〈1:1〉 2992 x 2992 〈65:24〉 4000 x 1480 〈5:4〉
3744 x 3000 〈7:6〉 3504 x 3000

Sensitivity

Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO80～12800 (1/3 step)
Extended Output: ISO40 / ISO25600 / ISO51200 / ISO102400
Movie Standard Output: AUTO / ISO100～12800 (1/3 step)
Extended Output: ISO25600

Exposure Compensation

Still -5.0EV～+5.0EV　1/3EV step
Movie -2.0EV～+2.0EV 1/3EV step

Image Stabilizer

Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 8.0 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)

Shutter Speed

Mechanical shutter P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
Electronic shutter PP mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutter P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Movie 8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec.
4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec.
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized shutter speed for flash Mechanical shutter: 1/125sec. or slower

Drive Mode

AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
Multiple Exposure Yes (Max. 9 frames) / Additive / Average / Bright / Dark
Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR: Yes
ACCURATE COLOR: Yes

Focus

Mode Single AF / Continuous AF / MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance Contrast: -2.5EV GF80mmF1.7 attached
Phase Detection: -5.5EV GF80mmF1.7 attached
AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detection Yes
Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

Touch Screen Mode

Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF),
EVF Touch Screen Area Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag

Movie Recording

File format MOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Movie
Compression		 All Intra / Long GOP
File size
Frame rate
Bitrate		 [8K(17:9)] 8192 x 4320　24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[8K(16:9)] 7680 x 4320　29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[8K(2.76:1)] 8192 x 2968　24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[5.8K(2.35:1)] 5824 x 2476　29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[5.4K(17:9)] 5440 x 2868　29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.8K(3:2)] 4776 x 3184　24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.8K(16:9)] 4776 x 2688　29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4.6K(1.38:1)] 4664 x 3380　24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160　59.94p/50p/29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160　59.94p/50p/29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080　59.94p/50p/29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080　59.94p/50p/29.97p/25p/24p/23.98p　720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080　120p/100p　720Mbps (recording)/360Mbps (recording)/200Mbps (recording)
[Full HD(16:9) High speed rec.] 1920 x 1080　120p/100p　720Mbps (recording)/360Mbps (recording)/200Mbps (recording)
*Selectable mode will be changed depending on the "Image Format" setting.
*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
*Selectable bitrate will be changed depends on the setting.
*Apple ProRes codec can be only recorded to CFexpress Type B card
*Bitrate for Apple ProRes codec is not selectable.
*Recording time can become short depending on the temperature and/or shooting conditions

Grain Effect

Roughness STRONG, WEAK, OFF
Size LARGE, SMALL

Dynamic Range Setting

Still AUTO / 100％ / 200％ / 400％
ISO restriction: DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Movie 100％ / 200％ / 400％
ISO restriction: DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more

White Balance

Auto White Priority / Auto / Ambience Priority
Custom Custom1 - 3
Color Temperature
Selection		 2500K～10000K
Preset Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater

Self-timer

Still 10sec. / 2sec.
Movie 10sec. / 5sec. / 3sec.

Wireless Transmitter

Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption WPA/WPA2 mixed mode, WPA3
Access mode Infrastructure

Bluetooth®

Standartd Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency
(Center frequency)		 2402～2480MHz

Terminal

Digital interface USB Type-C (USB3.2 Gen2x1)
HDMI output HDMI connector (Type A)
LAN Terminal 1000BASE-T、100BASE-TX、10BASE-T
Others ø3.5mm, stereo mini connector (Microphone and Remote Release)
ø3.5mm, stereo mini connector (Headphone)
Hot shoe
Synchronized terninal
Hot shoe

Power Supply

NP-W235 Li-ion battery (included)
Battery life for
still images*²		 Normal Mode: Approx. 540 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual battery life of
movie capture*²		 8K: Approx. 60min. (29.97p)
4K: Approx. 60min. (59.94p)
Full HD: Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance battery life
of movie capture*²		 8K: Approx. 80min. (29.97p)
4K: Approx. 90min. (59.94p)
Full HD: Approx. 140min. (59.94p)
*Face detection is set to OFF

Dimensions

Width: 152.4mm
Height: 117.4mm
Depth: 98.6mm
(Minimum Depth: 46.5mm)
Excluding EVF Width: 152.4mm
Height: 103.5mm
Depth: 73.5mm
(Minimum Depth: 46.5mm)

Operation Environment

Operating Temperature -10℃～+40℃
Operating Humidity 10% - 80% (no condensation)

Videos

Fujifilm GFX 100 II Large Format Camera Body - Black
₹799,999 *incl. of all taxes
( 0 reviews )