GFX100RF Digital Camera

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Overview

The One and Only
Large format photography has never been so portable. The compact, lightweight design of GFX100RF means its detail-rich 102-megapixel resolution can always be close at hand. With a precision-crafted aluminum body, tactile analog controls, and versatile aspect ratios, it brings creative joy to your hands, eyes, and heart.
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Rangefinder Style
Image 1 Image 2 Image 3 Image 4 Image 5 Image 6
GFX100RF’s offset viewfinder offers a unique photographic experience that will help elevate your image making. True to other classic rangefinder-style models, its design is the perfect match for the small, fixed lens and quiet shutter, while also providing an active image-making experience where it’s easier to see and follow what lies beyond the frame.
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A Small Body That Opens up a Big World
If a camera is smaller, you have more freedom.
If a camera is lighter, you can travel further.
If a camera is higher in resolution, memories are more vivid.
If you carry a camera every day, life is filled with endless possibilities.
Designed to fit any bag, GFX100RF weighs just 735g (1.62 lbs), making it an effortless carry. No matter where you are, the power of large format photography is always by your side, ready to deliver your own unique perspective.
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Photography That Speaks to Your Senses
From the tactile pleasure of turning dials to the compositional creativity of the viewfinder, the design of GFX100RF delivers photographic pleasure in its purest form, seamlessly integrating you with the image-making process.
Aspect Ratio Dial
GFX100RF’s new Aspect Ratio dial lets you quickly select a frame shape to match your creative vision. From the iconic ratios that shaped photographic history – such as 5:4, 3:2, and 1:1 – to the ones that define Fujifilm’s legendary past – including 17:6, 3:4, and 65:24 – nine different options are available.
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4:3 Aspect
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©Lee-Ann Olwage

4:3 Aspect Ratio

Originating in cinema, later becoming a television staple, and now the default ratio of the GFX System—utilizing the full height and width of the sensor—4:3 is a versatile and timeless classic, suitable for any subject.
5:4 Aspect
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5:4 Aspect Ratio

When set to the Custom Setting, users are free to select between any of the 9 available aspect ratios by using the Front Command Dial.
5:4 Aspect
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©Yukio Uchida

5:4 Aspect Ratio

Nothing short of photographic heritage, used in large format cameras like 8×10 and 4×5. Now reborn in the digital era, it carries an air of homage, blending tradition with modern innovation.
7:6 Aspect
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©Matthias Zwick

7:6 Aspect Ratio

Embodying the tranquility of 1:1 and the balance of 5:4, this versatile format is renowned for its compatibility with print media. It reached its peak during the golden age of film, thriving in everything from commercial shoots to personal projects and remains a beloved aspect ratio among photography enthusiasts.
1:1 Aspect
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©Giulio Di Sturco

1:1 Aspect Ratio

The 1:1 aspect ratio, known for its perfect symmetry, offers a timeless and balanced composition. Ideal for portraits, still life, and creative storytelling, it draws the viewer’s focus to the subject, making it a favorite for social media and artistic expression alike.
3:4 Aspect
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©Jonas Dyhr Rask

1:1 Aspect Ratio

This vertical format was born from a wish to get more frames on 35mm film, but is now the mainstay of smartphone photography. A natural choice for portrait imagery.
17:6 Aspect
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©Jonas Dyhr Rask

1:1 Aspect Ratio

An ultra-wide aspect ratio that creates a panoramic, cinematic effect. It gives a greater sense of wide angle surpassing the lens’s focal length, making it appear as though the image extends beyond the edges of the frame.
65:24 Aspect
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©Casey Cavanaugh

1:1 Aspect Ratio

A unique aspect ratio, inspired by the legendary FUJIFILM TX-1 and TX-2 analog cameras. Slightly taller than 17:6, it retains a panoramic look with a more modest wide-angle effect. Ideal for street photography and fashion.
16:9 Aspect
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©Photographer Name

1:1 Aspect Ratio

The 16:9 aspect ratio, widely recognized for its cinematic proportions, is a favorite for creating immersive visuals. Popular among videographers and photographers alike, it delivers a modern, widescreen format perfect for storytelling and dynamic compositions.
16:9 Aspect
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©Yukio Uchida

1:1 Aspect Ratio

The native ratio of FUJIFILM X Series cameras, 3:2 shares the same proportions as the classic 35mm format. As a result, it has become synonymous with the compact, mirrorless models that are highly favored by today’s image makers.
Frame the Beauty,Color the World: Nine Aspect Ratios
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Dial in the Delight of Photography
The machined aluminum dials offer a tactile feel and an impeccably smooth movement to deliver an unparalleled user experience. Operating the dials is an interactive dialogue with your camera, with each adjustment of shutter speed, ISO, or aperture ring a moment to savor. Even the digital teleconverter transcends mere cropping or trimming, transformed into a physical delight through the action of its toggle selector.
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Intuitive Interface, More Immersive Creative Experience
The UI provides all the necessary information while keeping your focus on image making. With the new 3:2 LCD, icons are optimally placed for clarity, while the new Surround View feature adds semi-transparent overlays or lines to show the area outside the frame, giving photographers greater freedom and a more immersive experience.
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Precise, High-Magnification EVF
A viewfinder provides a crucial connection between the three-dimensional world and your two-dimensional image of it. GFX100RF’s 0.5-inch, 5.76 million dot OLED EVF has a maximum magnification of 0.84x to deliver a seamless connection between the two.
A Design That Inspires
GFX100RF combines cutting-edge technology with a classic design that evokes a sense of nostalgia. Accessible top-tier image quality. Holding the camera sparks excitement, and once you start using it, you’ll want to keep creating.
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Uniquely Crafted
A camera isn’t just a tool for making images, it’s inherently part of the creative process. In GFX100RF, this philosophy comes to life with beautifully machined aluminum components, from top-plate and baseplate to aperture ring, hot shoe cover, and battery door. The sharp, defined edges, solid build quality, and unique warmth retained through its thermal properties create an unparalleled tactile experience. Each detail, crafted with the dedication of a master artisan, turns every interaction with the camera into a source of inspiration and joy.
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Accessories Designed to Perform, Crafted to Inspire
Included accessories are equally impressive. The adapter ring, which has the same high-quality feel and precision as the body, integrates seamlessly with the lens hood. This not only enhances the design but also makes the camera weather-resistant when combined with filters. The high-quality strap offers the perfect balance of portability and security, making it an ideal solution for safe, comfortable handling.
A Natural View
The 35mm focal length (equivalent to 28mm in 35mm format) is revered for its natural perspective, closely matched to our field of vision. Paired with the remarkable 102-megapixel large format sensor, it creates a synergy that records the world with stunning clarity and precision.
nature
©Ewa Meissner
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©Bettina Flitner
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©Giulio Di Sturco
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©Jonas Dyhr Rask
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©Lee-Ann Olwage
Newly Designed 35mmF4 Lens
The lens uses ten elements in eight groups, including two aspherical lenses and Nano GI Coating to reduce reflections across the frame. This design keeps the lens compact while delivering excellent image quality. Sharpness is consistent from center to edges, while autofocus is smooth and accurate thanks to the DC motor. For the first time in GFX System, the lens includes a built-in 4-stop ND filter and leaf shutter that syncs flash at any shutter speed. These features give more creative control, especially when working outdoors in bright conditions.
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Focusing Down to 20cm
With a minimum focus distance of just 20cm (7.87 in) from the front of the lens, GFX100RF invites you to get close enough to feel and experience the scene. As you move closer, the shallower depth-of-field creates stunningly soft bokeh to deliver a look only a large format camera can provide.
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Overwhelming Image Quality
Image quality is one of the most important aspects of camera performance. It’s what allows you to record textures, delicate colors, and smooth tonal gradations – and create photos that can be cropped or printed large without losing detail. GFX100RF takes the core purpose of photography – recording moments – to the next level, making incredible results easy to achieve.
With its GFX 102MP CMOS II large format sensor, and the high-speed X-Processor 5 image processor, it sets a new standard. The redesigned pixel structure and microlens layout of the sensor provide a wide dynamic range, low noise, improved sharpness, and autofocus accuracy from edge to edge, combining to deliver the exceptional image quality GFX System is known for.
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quality
linear
©Jonas Dyhr Rask
EFFECTIVE PIXELS
102 million pixels
SENSOR SIZE
43.8mmx32.9mm
Film Simulation
Gone are the days of using different cameras and films: with GFX100RF, you can easily switch between 20 Film Simulation modes and nine aspect ratios from frame to frame. Plus, custom settings let you reflect your personal preferences, opening up endless creative possibilities.
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PROVIA
Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode is great for all subject types, offering a neutral color reproduction.
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CLASSIC CHROME
This Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.
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REALA ACE
REALA ACE combines faithful color reproduction with well-defined tonal gradation, making it suitable for a wide range of subjects and situations.
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CLASSIC Neg.
Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.
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ACROS
Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness.
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NOSTALGIC Neg.
NOSTALGIC Neg. evokes the color reproduction of iconic works from the seventies, which brought the possibilities of color expression to the world and established it as art, reminiscent of the New Color movement. The unique tonal rendering softens highlights with an amber hue while preserving detail in the shadows, allowing for vibrant and lyrical images.
Redefining Large Format Performance
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Fast and Accurate AF Performance
Thanks to improved algorithms, predictive autofocus and face/eye detection have evolved. Additionally, AI subject detection AF, which utilizes deep-learning technology, recognizes a wide range of subjects such as animals, vehicles, and birds. Tracking AF for video has also been enhanced, enabling easy subject tracking with touch controls.
Meeting the Needs of Visual Storytellers
GFX100RF delivers smooth 4K/30p 4:2:2 10-bit video recording. With a base ISO of 100, it offers low noise for shooting, while F-Log2 provides 13+ stops* of dynamic range for rich tonal expression and high flexibility in post-production. Additionally, it features digital image stabilization (DIS) to correct camera shake and walking motion during video recording.
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Development Stories
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Development Story vol.01: The Rangefinder Style and Fujifilm, and the GFX
Read more
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Development Story vol.2: Large Format + Compact and Lightweight
Read more
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Development Story vol.03: Newly Developed 35mm F4 Lens
Read more
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Development Story vol.04: Design that Elevates the Concept
Read more
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Development Story vol.05: Our Answer for a New Experience to Revisit our Origins.
Read more
Model name
FUJIFILM GFX100RF
Declaration of Conformity
X Stories
 
story
Be Inspired
GFX100RF x Tsutomu Endo
04.14.2025
   
story
Be Inspired
GFX100RF x Reuben Wu
04.11.2025
   
story
Be Inspired
GFX100RF x Rita Puig-Serra
04.09.2025
   
story
Be Inspired
GFX100RF x Ewa Meissner
04.08.2025
   
story
Be Inspired
GFX100RF x Mustafa Seven
04.07.2025
   
story
Be Inspired
GFX100RF x Kirsten Luce
04.07.2025
 
News
03.20.2025
 
Introducing FUJIFILM GFX100RF
 

Specifications

 
Model Name
FUJIFILM GFX100RF
Image Sensor
43.8mm×32.9mm GFX 102MP CMOS II with primary color filter
Number Of Effective Pixels
102 million pixels
Image Processing Engine
X-Processor 5
Storage Media
SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File Format Of Still Image
DCF
Compliant with Design rule for Camera File system (DCF2.0)
JPEG
Exif Ver.2.32
HEIF
4:2:2 10bit
RAW
14bit / 16bit RAW (RAF original format)
TIFF
8bit / 16bit RGB (In-camera Raw Conversion Only)
Notes
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number Of Recorded Pixels
[L]
4:3: 11648 x 8736 3:2: 11648 x 7768 16:9: 11648 x 6552 65:24: 11648 x 4304 176: 11648 x 4112 5:4: 10928 x 8736 7:6: 10192 x 8736 1:1: 8736 x 8736 3:4: 6544 x 8736
[M]
4:3: 8256 x 6192 3:2: 8256 x 5504 16:9: 8256 x 4640 65:24: 8256 x 3048 176: 8256 x 2912 5:4: 7744 x 6192 7:6: 7232 x 6192 1:1: 6192 x 6192 3:4: 4640 x 6192
[S]
4:3: 4000 x 3000 3:2: 4000 x 2664 16:9: 4000 x 2248 65:24: 4000 x 1480 176: 4000 x 1408 5:4: 3744 x 3000 7:6: 3504 x 3000 1:1: 2992 x 2992 3:4: 2240 x 3000
Lens
Type
FUJINON single focal length lens
Focal Length
f=35mm (35mm format equivalent : 28mm)
Max. Aperture
F4
Lens Configuration
10 elements in 8 groups (includes 2 aspherical elements)
ND Filter
Yes (4 stops)
Aperture
F4 – F22 1/3EV step (controlled with 9-blade aperture diaphragm)
Minimum focus distance (measured from the front of the lens)
Approx. 0.2m
Digital Tele-Converter
80mm(63mm) 63mm(50mm) 45mm(36mm)OFF *The values in parentheses are 35mm format equivalent
Sensitivity
Still Image
Standard Output
AUTO1
AUTO2
AUTO3
ISO80~12800 (1/3 step)
Extended Output
ISO40
ISO25600
ISO51200
ISO102400
Movie
Standard Output
AUTO
ISO100~12800 (1/3 step)
Extended Output
ISO25600
Exposure Control
TTL 256-zone metering Multi Spot Average Center Weighted
Exposure Mode
P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure)
Exposure Compensation
Still
-5.0EV~+5.0EV 1/3EV step
Movie
-2.0EV~+2.0EV 1/3EV step
Image Stabilizer
Digital Image Stabilization
Yes (movie mode only)
IS MODE BOOST
Yes (movie mode only)
Shutter Type
Lens Shutter
Shutter Speed
Mechanical Shutter
P Mode
30sec. to 1/4000sec.
A Mode
30sec. to 1/4000sec.
S/M Mode
60min. to 1/4000sec.
Bulb
up to 60min.
Electronic Shutter
P Mode
30sec. to 1/16000sec.
A Mode
30sec. to 1/16000sec.
S/M Mode
60min. to 1/16000sec.
Bulb
1sec. Fixed
Notes
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic Shutter
P Mode
30sec. to 1/16000sec.
A Mode
30sec. to 1/16000sec.
S/M Mode
60min. to 1/16000sec.
Bulb
up to 60min.
Notes
*Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Movie
4K/DCI4K
1/4000sec. to 1/8 sec.
FHD
1/4000sec. to 1/8 sec.
Notes
*Cannot choose slower shutter speed than framerate for some settings.
Continuous Shooting
CH
Electronic Shutter Approx. 3.0fps
JPEG
1000+ frames
Compressed RAW
508 frames
Lossless Compressed RAW
45 frames
Uncompressed RAW
20 frames
Compressed RAW + JPEG
41 frames
Lossless Compressed RAW + JPEG
29 frames
Uncompressed RAW + JPEG
16 frames
Mechanical Shutter Approx. 6.0fps
JPEG
296 frames
Compressed RAW
40 frames
Lossless Compressed RAW
20 frames
Uncompressed RAW
17 frames
Compressed RAW + JPEG
19 frames
Lossless Compressed RAW + JPEG
15 frames
Uncompressed RAW + JPEG
12 frames
Mechanical Shutter Approx. 4.0fps
JPEG
1000+ frames
Compressed RAW
83 frames
Lossless Compressed RAW
25 frames
Uncompressed RAW
18 frames
Compressed RAW + JPEG
38 frames
Lossless Compressed RAW + JPEG
21 frames
Uncompressed RAW + JPEG
13 frames
CL
Mechanical Shutter Approx. 2.0fps
JPEG
1000+ frames
Compressed RAW
1000+ frames
Lossless Compressed RAW
337 frames
Uncompressed RAW
26 frames
Compressed RAW + JPEG
312 frames
Lossless Compressed RAW + JPEG
42 frames
Uncompressed RAW + JPEG
20 frames
Notes
*No. of recordable frames are calculated based on a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing
2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps
Filmsimulation Bracketing
Any 3 types of film simulation selectable
Dynamic Range Bracketing
100% 200% 400%
ISO Sensitivity Bracketing
±1/3EV ±2/3EV ±1EV
White Balance Bracketing
±1 ±2 ±3
Focus Bracketing
AUTO MANUAL
Multiple Exposure
Yes (Max. 9 frames) Additive Average Bright Dark
Focus
Mode
Single AF Continuous AF MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance
Contrast
-0.0EV
Phase Detection
-3.0EV
AF Frame Selection
Single Point AF
13×9 / 25×17 (Changeable size of AF frame)
Zone AF
3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
All
Yes
Subject Detection
Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Flash
Shoe Mount Flash
Sync. Mode
1st Curtain
2nd Curtain
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. )
MANUAL
MULTI *When EF-X500 is set
OFF
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
EVF
EVF
0.5 inch OLED Color Viewfinder/Approx. 5.76 million dots Approx. 5.76 million dots
Coverage Of Viewing Area Vs. Capturing Area
Approx. 100%
Eyepoint
Approx. 24mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment
-5~+3m-1
Magnification
0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle Of View
approx. 40° (Horizontal angle of view: approx. 32° )
Built-In Eye Sensor
LCD Monitor
LCD Monitor
3.15 inch Tilt-Type Touch Screen Color LCD Monitor
Aspect Ratio
3:2
Dots
Approx. 2.10 million dots
Touch Screen Mode
Shooting Mode
AF
Focus Area
OFF
Double Tap Setting (ON/OFF)
Touch Function Setting (ON/OFF)
EVF Touch Screen Area Setting
Playback Mode
Swipe
Pinch-in / Pinch-out
Double-tap
Drag
Movie Recording
File Format
MOV
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4
MPEG-4 AVC/H.264, AAC
Movie Compression
All Intra
Long GOP
DCI4K(17:9)
File Size
4096 x 2160
Frame Rate
29.97p 25p 24p 23.98p
Bitrate
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps
4K(16:9)
File Size
3840 x 2160
Frame Rate
29.97p 25p 24p 23.98p
Bitrate
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps
Full HD(17:9)
File Size
2048 x 1080
Frame Rate
59.94p 50p 29.97p 25p 24p 23.98p
Bitrate
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps
Full HD(16:9)
File Size
1920 x 1080
Frame Rate
59.94p 50p 29.97p 25p 24p 23.98p
Bitrate
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps
Notes
*Selectable mode will be changed depending on the “Image Format” setting. *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to SSD *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions
Film Simulation Mode
20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic Color
Yes
Grain Effect
Roughness
STRONG, WEAK, OFF
Size
LARGE, SMALL
Color Chrome Effect
STRONG, WEAK, OFF
Color Chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic Range Setting
Still
Still
AUTO / 100% / 200% / 400%
ISO Restriction
DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Movie
Movie
100% / 200% / 400%
ISO Restriction
DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
White Balance
Auto
White Priority Auto Ambience Priority
Custom
Custom1 – 3
Color Temperature Selection
2500K~10000K
Preset
Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater
Clarity Setting
±5 steps
Self-timer
Still
10sec. 2sec.
Movie
10sec. 5sec. 3sec.
Interval Timer Shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless Transmitter
Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption
WPA/WPA2 mixed mode, WPA3
Access Mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency)
2402〜2480MHz
Terminal
Digital Interface
USB Type-C USB 10Gbps
HDMI Output
HDMI Micro connector (Type D)
Others
ø3.5mm, stereo mini connector (Microphone & Remote Release) ø3.5mm, stereo mini connector (Headphone) Hot shoe
Power Supply
Power Supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Normal Mode
Approx. 820 frames
Notes
*Auto power save ON
Actual Battery Life Of Movie Capture
4K
Approx. 100min. (29.97p)
Full HD
Approx. 90min. (59.94p)
Notes
*Face detection is set to OFF
Continuance Battery Life Of Movie Capture
4K
Approx. 140min. (29.97p)
Full HD
Approx. 140min. (59.94p)
Notes
*Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions
Width
133.5mm
Height
90.4mm
Depth
76.5mm
(Minimum Depth)
37.2mm
Weight
Including Battery And Memory Card
Approx. 735g
Excluding Battery And Memory Card
Approx. 654g
Operation Environment
Operating Temperature
-10℃~+40℃
Operating Humidity
10%~80% (no condensation)
Starting up period
Approx. 0.6sec.
Accessories Included
Li-ion battery NP-W235 USB cable Shoulder strap Clip attaching tool Lens cap Lens hood Hood cap Adapter ring Protector filter Hot shoe cover

Media Rec (SD memory card)

Resolution/Aspect Size Frame rate File format/Compression Bit rate*2 Bit depth HDMI outupt Resolution(Frame rate)/Sampling/Bit depth Crop Magnification
DIS ON DIS OFF
DCI4K 17:94K 16:9 4096 x 2160 3840 x 2160 29.97p 25.00p 24.00p 23.98p ProRes 422 HQ MOV*1 1877Mbps(59.94p)*3 10bit DCI4K/4K 4:2:2 10bit 1.0x
ProRes 422 MOV*1 1254Mbps(59.94p)*3
ProRes 422 LT MOV*1 870Mbps(59.94p)*3
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV 720Mbps 360Mbps 1.32x 1.0x
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps 1.32x 1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit 1.32x 1.0x
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 360Mbps 200Mbps 100Mbps 50Mbps 1.32x 1.0x
FHD 17:9 16:9 2048 x 1080 1920 x 1080 59.94p 50.00p 29.97p 25.00p 24.00p 23.98p ProRes 422 HQ MOV*1 469Mbps(FHD16:9 59.94p)*3 10bit FHD 4:2:2 10bit*5 1.0x
ProRes 422 MOV*1 314Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1 218Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV 720Mbps 360Mbps 1.32x 1.0x
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps 1.32x 1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit FHD 4:2:2 8bit*5 1.32x 1.0x
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 360Mbps 200Mbps 100Mbps 50Mbps 1.32x 1.0x

HDMI Output

Resolution/Aspect Size Frame rate HDMI outupt Resolution(Frame rate)/Sampling/Bit depth Crop Magnification
DIS ON DIS OFF
DCI4K 17:94K 16:9 4096 x 2160 3840 x 2160 29.97p 25.00p 24.00p 23.98p DCI4K/4K 4:2:2 10bit 1.32x 1.0x
FHD 17:9 16:9 2048 x 1080 1920 x 1080 59.94p 50.00p 29.97p 25.00p 24.00p 23.98p FHD 4:2:2 10bit*5 1.32x 1.0x
  • *1 ProRes codec can be recorded to only SSD
  • *2 Bit rate will be changed depend on the subject
  • *3 Bit rate for ProRes codec can not be selected
  • *4 The resolution from HDMI output is different from selected setting
  • *5 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band.
 
   
  511,000
M.R.P.: 549,999 *incl. of all taxes
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