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X-E5

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Overview

The Refined Classic

A modern classic can’t simply mimic what has gone before. Nor can it ignore what has preceded it. It should respect its lineage, by refining a concept without losing its essence. FUJIFILM X-E5 embodies what it means to be a modern classic, combining a sophisticated, elegant design with analog controls that inspire image making

Design

Crafted solely from machined aluminum, the top-plate retains the essence of a classic camera with its angular design. This stunning look comes together with tactile handling to create a camera that’s a joy to use.

Machined Aluminum Top-Plate

The top-plate is carved from a single piece of metal, not only enhancing the look and feel of the FUJIFILM X-E5, but also improving the dial operation. Additionally, an anodized finish gives the body a refined, high-quality aesthetic.

New Film Simulation Dial

The newly designed Film Simulation dial features a precision-cut indicator window that minimizes the gap between dial and body for an exact finish. Additionally, you can individually set Film Simulation and image quality settings to the FS1-FS3 positions, allowing you to save your own FS recipes.

Mastering the Details

Refinement is central to every aspect of FUJIFILM X-E5’s design. The viewfinder and diopter adjustment control, for example, fit flush with the body, while the Bluetooth button on the base plate evokes the look of the rewind button on classic film camera.

The Joy of Photography

FUJIFILM X-E5 doesn’t just look good. It also offers a stunning viewfinder and beautiful analog controls. This is a camera designed to bring joy to your image making.

New Classic Display Mode

The new Classic Display mode* provides a clean viewfinder image with key information at the bottom of the frame. Combined with a body style that allows you to operate the dials and the lever with one hand, you can immerse yourself in image making with the camera to your eye. *Only available on the EVF

Surround View Mode

FUJIFILM X-E5’s Front Control Lever accesses the Surround View function, which displays a semi-transparent or outlined area outside the image. This provides an OVF-like experience, enabling you to see outside the EVF frame so you can easily monitor what’s about to come into frame.

Evolved Mobility

Despite being similar in size to its predecessor, X-E5 is the first in the camera series that features a powerful five-axis IBIS mechanism offering up to 7.0 stops in the center and 6.0 stops at the periphery*. This makes it an effortless, “daily carry,” that remains adaptable to the most challenging scenarios. *Based on CIPA 2024 standards. Yaw/pitch/roll correction performance when equipped with FUJINON XF35mmF1.4 R lens (sold separately)

See More, Tell More

A sophisticated design. Intuitive controls that keep you immersed in image making. A compact size that fits perfectly in your hand. With FUJIFILM X-E5, you’ll uncover more stories. Tell these stories with the remarkable image quality of our fifth-generation technology.

High-Resolution 40.2MP BSI Imaging Sensor

The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.

Learn more →

Twice the processing speed of X-Processor 4

AI processing technology

Next generation HEIF image file format

Reduced power consumption

ISO 125 Standard Sensitivity

The X-Trans CMOS 5 HR sensor in FUJIFILM X-E5 features an improved light-efficient pixel structure. This delivers a lower native ISO of 125, which was only available as an extended option on the previous model.

©Derrick Ong

©Luo Fei

S/N Level & Low-Light Power

The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.

Latest AF Algorithm

FUJIFILM X-E5 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.

©Derrick Ong

©Dawn Eagleton

Subject Detection Autofocus

FUJIFILM X-E5 uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.* *Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and AIRPLANE for detecting drones

Film Simulations

The 20 Film Simulation modes offered by FUJIFILM X-E5, including REALA ACE, harness 90 years of Fujifilm color science.

Learn more about Film Simulations

©Zao Yanming

PROVIA/STANDARD

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral color reproduction.

©Yukio Uchida

CLASSIC CHROME

This Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.

©Melissa Breyer

NOSTALGIC Neg.

NOSTALGIC Neg. evokes the color reproduction of iconic works from the seventies, which brought the possibilities of color expression to the world and established it as art, reminiscent of the New Color movement. The unique tonal rendering softens highlights with an amber hue while preserving detail in the shadows, allowing for vibrant and lyrical images.

©Ben Savage

VELVIA/VIVID

Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colors than the PROVIA/STANDARD. It is a favorite of landscape photographers.

©Derrick Ong

ACROS

Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness.

©Ben Savage

ASTIA/SOFT

Based on FUJICHROME ASTIA, a reversal film designed for fashion portraiture, this mode prioritizes soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery.

©Xu Huanxing

PRO Neg. Std

Based on PRO160NS, a color negative film for professionals, this Film Simulation mode has a soft tonal gradation and excellent skin tone reproduction. Ideal for portrait photography under carefully controlled lighting. The neutral tonality renders itself well to post-processing.

©Ben Savage

CLASSIC Neg.

Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.

©Zao Yanming

REALA ACE

Based on REALA ACE, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.

Your Film, Your Story

Add a personal touch to every image you make. The Film Simulation dial on FUJIFILM X-E5 offers FS1, FS2, and FS3 positions, allowing you to customize and save your own FS recipes.

©Tom Baumgärtel / Vilvla

Smooth Skin Effect

Ideal for portraiture, this function smooths skin texture for a more flattering complexion.

©Luke Davis

White Balance Shift

For white balance, choose Auto, Custom, Color Temperature, or a series of preset options. White balance can be fine-tuned in the WB Shift feature with red (R) and blue (B) color coordinates.

OFF ON

©Bao Zoan

Grain Effect

From subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-E5 you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.

OFF ON

©Derrick Ong

Color Chrome Effect

For highly saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost. Or use Color Chrome FX Blue to boost the blue tones in an image.

-5 +5

©Luo Fei

Clarity

The Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.

Video Functionality

FUJIFILM X-E5’s compact and lightweight body supports in-camera recording to an SD card at 6.2K/30p 4:2:2 10-bit, as well as high-quality 4K/60p and 1080/240p.

Complete Your Creative Setup

XF23mmF2.8 R WR

Providing a focal length equivalent to 35mm, the new FUJINON XF23mmF2.8 R WR pancake lens weighs just 90g (0.20lb). Attached to FUJIFILM X-E5, it creates a compact, refined package.

Learn more about XF23mmF2.8 R WR.

XApp

FUJIFILM X-E5 is compatible with FUJIFILM XApp, which offers additional functionality and simple image transfer to your Smartphone. Files can be shared between X-E5 and your Smartphone at speed, while the free app also enables remote operation of the camera.

Learn more about XApp.

Frame.io Camera to Cloud

Create, share, and collaborate in an instant with FUJIFILM X-E5’s native Frame.io Camera to Cloud technology. Wirelessly connect to an active internet connection, authenticate to Frame.io, and start uploading photos and videos at the moment of creation.

Seamless Printing with instax™ Link Series

Enjoy sharing your images by wirelessly connecting and printing to selected instax™ Link series printers.* FUJIFILM X-E5 connects directly, without needing an app.

_{*instax mini Link 3™ / instax mini Link 2™ / instax Link WIDE™ – each sold separately}

Model name	FUJIFILM X-E5
Declaration of Conformity	View PDF

X Stories

Be Inspired

Specifications

Model name	FUJIFILM X-E5

Lens Mount

FUJIFILM X mount

Image Sensor

23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter

Number Of Effective Pixels

40.2 millions pixels

Sensor Cleaning System

Ultra Sonic Vibration

Image Processing Engine

X-Processor 5

Storage Media

SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 *Please see the Fujifilm website to check memory card compatibility.

File Format Of Still Image

DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 HEIF: 4:2:2 10bit RAW: 14bit RAW (RAF original format) TIFF: 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

Number Of Recorded Pixels

[L] 4:3: 6864 x 5152 3:2: 7728 x 5152 16:9: 7728 x 4344 5:4: 6432 x 5152 1:1: 5152 x 5152 [M] 4:3: 4864 x 3648 3:2: 5472 x 3648 16:9: 5472 x 3080 5:4: 4560 x 3648 1:1: 3648 x 3648 [S] 4:3: 3456 x 2592 3:2: 3888 x 2592 16:9: 3888 x 2184 5:4: 3264 x 2592 1:1: 2592 x 2592

Panorama

[L] vertical: 2160 x 9600 horizontal: 9600 x 1440 [M] vertical: 2160 x 6400 horizontal: 6400 x 1440

Digital Tele-Converter

2.0x 1.4x OFF

Sensitivity

Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 ISO125~12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 Movie Standard Output: AUTO ISO125~12800 (1/3 step) Extended Output: ISO25600

Exposure Control

TTL 256-zone metering Multi Spot Average Center Weighted

Exposure Mode

P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure)

Exposure Compensation

Still: -5.0EV~+5.0EV 1/3EV step Movie: -2.0EV~+2.0EV 1/3EV step

Image Stabilizer

Mechanism: Image sensor shift mechanism with 5-axis compensation Compensation Effect: Center 7.0 stops and Periphery 6.0 stops *based on CIPA2024 standard *Pitch/Yaw/Roll compensation *With XF35mmF1.4 R lens mounted Digital Image Stabilization: Yes (movie mode only) IS MODE BOOST: Yes (movie mode only)

Shutter Type

Focal Plane Shutter

Shutter Speed

Mechanical Shutter P Mode: 30sec. to 1/4000sec. A Mode: 30sec. to 1/4000sec. S/M Mode: 15min. to 1/4000sec. Bulb: up to 60min. Electronic Shutter P Mode: 30sec. to 1/180000sec. A Mode: 30sec. to 1/180000sec. S/M Mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed Electronic Front Curtain Shutter P Mode: 30sec. to 1/4000sec. A Mode: 30sec. to 1/4000sec. S/M Mode: 15min. to 1/4000sec. Bulb: up to 60min. *Mechanical shutter works until 1/4000sec. E-front + Mechanical Shutter P Mode: 30sec. to 1/4000sec. A Mode: 30sec. to 1/4000sec. S/M Mode: 15min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. E-front + Mechanical + Electronic Shutter P Mode: 30sec. to 1/180000sec. A Mode: 30sec. to 1/180000sec. S/M Mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash cannot be used. Movie 6.2K: 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/24 sec. FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate for some settings.

Synchronized Shutter Speed For Flash

Mechanical Shutter: 1/180sec. or slower

Continuous Shooting

CH (Electronic Shutter, 1.29x crop) Approx. 20fps JPEG: 168 frames Compressed RAW: 66 frames Lossless Compressed RAW: 32 frames Uncompressed RAW: 17 frames Compressed RAW + JPEG: 21 framesbr Lossless Compressed RAW + JPEG: 20 framesbr Uncompressed RAW + JPEG: 17 framesbr CH (Electronic Shutter, 1.29x crop) Approx. 13fps JPEG: 1000+ frames Compressed RAW: 94 frames Lossless Compressed RAW: 25 frames Uncompressed RAW: 21 frames Compressed RAW + JPEG 48 frames Lossless Compressed RAW + JPEG 31 frames Uncompressed RAW + JPEG 19 frames CH (Electronic Shutter, 1.29x crop) Approx. 10fps JPEG: 1000+ frames Compressed RAW: 536 frames Lossless Compressed RAW: 43 frames Uncompressed RAW: 23 frames Compressed RAW + JPEG: 61 frames Lossless Compressed RAW + JPEG: 37 frames Uncompressed RAW + JPEG: 21 frames CH (Electronic Shutter) Approx. 13fps JPEG: 163 frames Compressed RAW: 46 frames Lossless Compressed RAW: 21 frames Uncompressed RAW: 18 frames Compressed RAW + JPEG: 24 frames Lossless Compressed RAW + JPEG: 20 frames Uncompressed RAW + JPEG: 19 frames CH (Electronic Shutter) Approx. 8.9fps JPEG: 1000+ frames Compressed RAW: 68 frames Lossless Compressed RAW: 28 frames Uncompressed RAW: 21 frames Compressed RAW + JPEG: 36 frames Lossless Compressed RAW + JPEG: 23 frames Uncompressed RAW + JPEG: 21 frames CH (Mechanical Shutter) Approx. 8.0fps JPEG: 1000+ frames Compressed RAW: 79 frames Lossless Compressed RAW: 22 frames Uncompressed RAW: 20 frames Compressed RAW + JPEG: 30 frames Lossless Compressed RAW + JPEG: 21 frames Uncompressed RAW + JPEG: 20 frames CL (Mechanical Shutter) Approx. 5.0fps JPEG: 1000+ frames Compressed RAW: 1000+ frames Lossless Compressed RAW: 56 frames Uncompressed RAW: 24 frames Compressed RAW + JPEG: 81 frames Lossless Compressed RAW + JPEG: 27 frames Uncompressed RAW + JPEG: 21 frames CL (Mechanical Shutter) Approx. 4.0fps JPEG: 1000+ frames Compressed RAW: 1000+ frames Lossless Compressed RAW: 1000+ frames Uncompressed RAW: 29 frames Compressed RAW + JPEG: 1000+ frames Lossless Compressed RAW + JPEG: 34 frames Uncompressed RAW + JPEG: 26 frames CL (Mechanical Shutter) Approx. 3.0fps JPEG: 1000+ frames Compressed RAW: 1000+ frames Lossless Compressed RAW: 1000+ frames Uncompressed RAW: 60 frames Compressed RAW + JPEG: 1000+ frames Lossless Compressed RAW + JPEG: 1000+ frames Uncompressed RAW + JPEG: 34 frames

Pre-shot

Electronic Shutter, 1.25x crop Approx. 20fps (1.29x crop): – 20 frames – 135 frames – 155 frames Electronic Shutter, 1.25x crop Approx. 13fps (1.29x crop): – 13 frames – 177 frames – 190 frames Electronic Shutter, 1.25x crop Approx. 10fps (1.29x crop): – 10 frames – 240 frames – 250 frames Electronic Shutter, 1.25x crop Approx. 13fps: – 13 frames – 77 frames – 90 frames Electronic Shutter, 1.25x crop Approx. 8fps: – 8 frames – 102 frames – 110 frames *No. of recordable frames are calculated based on a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames

Drive Mode

AE Bracketing 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps Film Simulation Bracketing Any 3 types of film simulation selectable Dynamic Range Bracketing 100% 200% 400% ISO Sensitivity Bracketing ±1/3EV ±2/3EV ±1EV White Balance Bracketing ±1 ±2 ±3 Focus Bracketing AUTO MANUAL Multiple Exposure Yes (Max. 9 frames) Additive Average Bright Dark HDR Mode AUTO 2 4 8 800% + Advanced Filter Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Focus

Mode Single AF Continuous AF MF Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) Low-light Performance Contrast: -4.0EV (XF50mmF1.0 attached) Phase Detection: -7.0EV (XF50mmF1.0 attached) AF Frame Selection Single Point AF: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes Face/eye Detection Yes Subject Detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

Flash

EF-X8 Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode 1st Curtain 2nd Curtain Flash Mode TTL (TTL AUTO / STANDARD / SLOW SYNC.) MANUAL COMMANDER OFF Shoe Mount Flash Sync. Mode 1st Curtain 2nd Curtain AUTO FP (HSS) Flash Mode TTL (TTL AUTO / STANDARD / SLOW SYNC.) MANUAL MULTI *When EF-X500 is set OFF

Hot Shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

EVF 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage Of Viewing Area Vs. Capturing Area Approx. 100% Eyepoint Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece) Diopter Adjustment -4~+2m⁻¹ Magnification 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m⁻¹ Diagonal Angle Of View approx. 31° (Horizontal angle of view: approx. 26°) Built-In Eye Sensor Yes

LCD Monitor

Type 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Resolution Approx. 1.04 million dots

Touch Screen Mode

Shooting Mode

Shooting
AF
Focus Area
OFF

Double Tap Setting ON/OFF Touch Function Setting ON/OFF Touch Zoom ON/OFF EVF Touch Screen Area Setting Playback Mode

Swipe
Pinch-in / Pinch-out
Double-tap
Drag

Movie Recording

File Format

MOV	HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MOV	MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4	MPEG-4 AVC/H.264, AAC

Movie Compression

Long GOP

6.2K(16:9) File Size: 6240 x 3510 Frame Rate: 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

DCI4K HQ(17:9) File Size: 4096 x 2160 Frame Rate: 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

4K HQ(16:9) File Size: 3840 x 2160 Frame Rate: 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

DCI4K(17:9) File Size: 4096 x 2160 Frame Rate: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

4K(16:9) File Size: 3840 x 2160 Frame Rate: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

Full HD(17:9) File Size: 2048 x 1080 Frame Rate: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

Full HD(16:9) File Size: 1920 x 1080 Frame Rate: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrate: 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps

Full HD(17:9) High Speed Rec. File Size: 2048 x 1080 Frame Rate: 240p / 200p / 120p / 100p Bitrate: 200Mbps (recording)

Full HD(16:9) High Speed Rec. File Size: 1920 x 1080 Frame Rate: 240p / 200p / 120p / 100p Bitrate: 200Mbps (recording)

*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions

Film Simulation Mode

20 modes

PROVIA/Standard

Velvia/Vivid

ASTIA/Soft

Classic Chrome

REALA ACE

PRO Neg.Hi

PRO Neg.Std

Classic Neg.

Nostalgic Neg.

ETERNA/Cinema

ETERNA BLEACH BYPASS

ACROS

ACROS + Ye Filter

ACROS + R Filter

ACROS + G Filter

Black & White

Black & White + Ye Filter

Black & White + R Filter

Black & White + G Filter

Sepia

Monochromatic Color

Yes

Grain Effect

Roughness STRONG, WEAK, OFF Size LARGE, SMALL

Color Chrome Effect

STRONG, WEAK, OFF

Color Chrome Blue

STRONG, WEAK, OFF

Smooth Skin Effect

STRONG, WEAK, OFF

Dynamic Range Setting

Still AUTO / 100% / 200% / 400% ISO Restriction: DR100%: No limit DR200%: ISO250 or more DR400%: ISO500 or more

Movie 100% / 200% / 400% ISO Restriction: DR100%: No limit DR200%: ISO250 or more DR400%: ISO500 or more

White Balance

Auto

White Priority Auto Ambience Priority

Custom

Custom1 – 3

Color Temperature Selection

2500K~10000K

Preset

Daylight

Shade

Fluorescent Light-1

Fluorescent Light-2

Fluorescent Light-3

Incandescent Light

Underwater

Clarity Setting

±5 steps

Self-timer

Still

10sec. 2sec.

Movie

10sec. 5sec. 3sec.

Interval Timer Shooting

Yes (Settings: Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

Wireless Transmitter

Standard IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption WPA2, WPA3 Access Mode Infrastructure

Bluetooth®

Standard Bluetooth Ver. 4.2 (Bluetooth low energy) Operating Frequency 2402MHz

Terminal

Digital Interface USB Type-C USB 10Gbps HDMI Output HDMI Micro connector (Type D) Others ø3.5mm, stereo mini connector (Microphone & Remote Release) Hot shoe

Power Supply

Battery NP-W126S Li-ion battery (included) Battery Life For Still Images Economy Mode: Approx. 400 frames Normal Mode: Approx. 310 frames *When XF35mmF1.4 R is set Actual Battery Life Of Movie Capture 6.2K: Approx. 45min. (29.97p) 4K: Approx. 45min. (59.94p) Full HD: Approx. 45min. (59.94p), Approx. 50min. (120P) *Face detection is set to OFF Continuance Battery Life Of Movie Capture 6.2K: Approx. 70min. (29.97p) 4K: Approx. 70min. (59.94p) Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Dimensions

Width: 124.9mm Height: 72.9mm Depth: 39.1mm (Minimum Depth: 33.0mm)

Weight

Including Battery And Memory Card: Approx. 445g Excluding Battery And Memory Card: Approx. 396g And Memory Card

Operation Environment

Operating Temperature0℃~+40℃ Operating Humidity10%~80% (no condensation)

Starting up period

Approx. 0.5sec.

Accessories Included

Li-ion battery NP-W126S Headphone adapter Shoulder strap Clip attaching tool Body cap

Media Rec (SD memory card)

Resolution/Aspect	Size	Frame Rate	File Format/Compression	Bit Rate*1	Bit Depth	HDMI Output Resolution (Frame Rate)/Sampling/Bit Depth	Crop Magnification
							DIS ON	DIS OFF
6.2K 16:9	6240 x 3510	29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps	10bit	FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)2 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)2	–	1.0x
DCI4K HQ 17:9	4096 x 2160	29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps	10bit	DCI4K/4K 4:2:2 10bit	–	1.22x
4K HQ 16:9	3840 x 2160	25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	100Mbps 50Mbps 25Mbps	10bit	DCI4K/4K 4:2:2 10bit	–	1.22x
DCI4K 17:9	4096 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	10bit	DCI4K/4K 4:2:2 10bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
4K 16:9	3840 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	10bit	DCI4K/4K 4:2:2 10bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
DCI4K 17:9	4096 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	8bit	DCI4K/4K 4:2:2 8bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
4K 16:9	3840 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	8bit	DCI4K/4K 4:2:2 8bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9	2048 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	10bit	FHD 4:2:2 10bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 16:9	1920 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	10bit	FHD 4:2:2 10bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9	2048 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	8bit	FHD 4:2:2 8bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 16:9	1920 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps 100Mbps 50Mbps 25Mbps 8Mbps	8bit	FHD 4:2:2 8bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
High speed FHD 17:9	2048 x 1080	240fps (4x/8x/10x) 200fps (4x/8x) 120p (2x/4x/5x) 100p (2x/4x)	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps (when recording)	10bit 8bit	FHD(59.94p) 4:2:2 10bit4 FHD(59.94p) 4:2:2 8bit4	–	1.23x
High speed FHD 16:9	1920 x 1080	240fps (4x/8x/10x) 200fps (4x/8x) 120p (2x/4x/5x) 100p (2x/4x)	H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4	200Mbps (when recording)	10bit 8bit	FHD(59.94p) 4:2:2 10bit4 FHD(59.94p) 4:2:2 8bit4	–	1.23x

*1 For recording movies, use a SD memory card with UHS Speed Class 3 or higher *2 *3 *4 Selectable bitrate will be changed depends on the setting

HDMI Output

Resolution/Aspect	Size	Frame Rate	HDMI Output Resolution/Sampling/Bit Depth	Crop Magnification
				DIS ON	DIS OFF
6.2K 16:9	6240 x 3510	29.97p 25.00p 24.00p 23.98p	FHD 4:2:2 10bit*2	–	1.0x
DCI4K HQ 17:9	4096 x 2160	29.97p 25.00p 24.00p 23.98p	DCI4K/4K 4:2:2 10bit	–	1.23x
4K HQ 16:9	3840 x 2160	25.00p 24.00p 23.98p	DCI4K/4K 4:2:2 10bit	–	1.23x
DCI4K 17:9	4096 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	DCI4K/4K 4:2:2 10bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
4K 16:9	3840 x 2160	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	DCI4K/4K 4:2:2 10bit	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9	2048 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	FHD 4:2:2 10bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x
FHD 16:9	1920 x 1080	59.94p 50.00p 29.97p 25.00p 24.00p 23.98p	FHD 4:2:2 10bit*3	59.94p/50.00p:1.44x 29.97p/25.00p/24.00p/23.98p:1.32x	59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x

HDMI Output (High speed REC HDMI ONLY)

Resolution/Aspect	Size	Frame Rate	HDMI Output Resolution (Frame Rate)/Sampling/Bit Depth	Crop Magnification
				DIS ON	DIS OFF
FHD 16:9	1920 x 1080	120p 100p	FHD(120p/100p) 4:2:2 10bit	–	1.23x

HDMI RAW Output

Resolution/Aspect	Size	Frame Rate	Bit Depth	Crop Magnification
				DIS ON	DIS OFF
6.2K 16:9	6240 x 3512	29.97p 25.00p 24.00p 23.98p	12bit	–	1.23x

*1 Bit rate will be changed depend on the subject
*2 The resolution from HDMI output is different from selected setting
*3 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band
*4 The frame rate from HDMI output is different from selected setting

News

06.12.2025 Introducing FUJIFILM X-E5