GFX ETERNA 55

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Overview

ETERNATM Legacy Reimagined for a New Era

ETERNA – a name that means ‘eternal’.
What once lived on celluloid now returns in the digital age.
The soul of cinema. The passage of time. Colors that stir emotion.
Introducing a new kind of filmmaking camera – crafted to reflect the creator’s eye and heart.
Infused with the depth of Fujifilm’s enduring wisdom, it’s built to create stories that stand the test of time.

SENSOR SIZE
43.8mm X 32.9mm
Approx. x1.7 the Size of Full Frame
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The Fujifilm Look

Building on over 90 years of Fujifilm’s pioneering film color science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.

GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.

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Unleashing the Film Stocks

Building on over 90 years of Fujifilm’s pioneering film color science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.

GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.

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Electronic Variable ND Filter

GFX ETERNA 55 features a built-in electronic variable ND filter designed specifically for its large format sensor. With a range from ND0.6 to 2.1, it provides up to seven stops of light reduction with smooth, precise control in increments as fine as ND0.015. Thanks to Fujifilm’s proprietary precision engineering, this filter allows seamless and highly accurate density adjustments with minimal color shift –even during movie recording.
By instantly adapting to changing lighting conditions on set, it enables filmmakers to dial in their intended exposure swiftly, greatly enhancing efficiency.

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Dual Base ISO

GFX ETERNA 55’s large format sensor, measuring 44x33mm, is approximately 1.7 times larger than a typical full-frame sensor. Its dual base ISOs of 800 and 3200 maximize performance, delivering smooth tonal gradations and exceptional low-noise capabilities. Even in challenging lighting conditions like shadows, backlighting, and nighttime scenarios, it minimizes the digital noise often associated with such conditions, faithfully recording the atmosphere of the scene. GFX ETERNA 55’s sensor is set to become a new well of inspiration for filmmakers.

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Dynamic Range

GFX ETERNA 55’s wide range Log gamma, F-Log2 C, enables the large format sensor to achieve over 14 stops
of dynamic range. From deep shadows to bright highlights, it records the subtle nuances of light without compromise, allowing precise adjustments aligned with the creator’s vision in post-production. Combined with its wide color gamut recording, this opens up virtually unlimited possibilities for expression in color and contrast.

*When recorded in F-Log2 C, according to Fujifilm Internal testing.
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Optical Low-Pass Filter

GFX ETERNA 55’s large format sensor is equipped with a specially designed optical low-pass filter (OLPF) that’s optimized for filmmaking. It employs a four-point separation method effectively reducing moiré and false colors. With a focus on the soft and refined image quality demanded by cinematic expression, GFX ETERNA 55 achieves highly detailed footage that maintains a pleasing smoothness without excessive sharpness.

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Autofocus

With a GF Lens attached, GFX ETERNA 55 delivers highly accurate autofocus. The autofocus algorithm leverages the same advanced technology found in FUJIFILM GFX100 II, using deep-learning-based subject detection to quickly and precisely analyze scenes. This enables the camera to maintain sharp focus, even with the large format sensor’s characteristic shallow depth-of-field. Pair it with the new FUJINON GF32-90mmT3.5 PZ OIS WR, and you get enhanced flexibility and responsiveness on set – an indispensable companion for any filmmaker.

Various Formats

GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.

In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.

Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.

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GF 4:3 Open Gate
GF DCI
Premista DCI
35mmDCI
8K DCI, dot by dot
Super 35 DCI
Anamorphic Ready

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`The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.

By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.

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©Oren Soffer
Codec

Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.

It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.

Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects,

Ready for Filmmaking

A design that elevates the creative drive of every filmmaker.

Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.
Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness.

The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.

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Bundled with Confidence
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PL Mount Adapter

In addition to the standard G Mount, GFX ETERNA 55 comes supplied with PL Mount Adapter G, allowing immediate use of PL Mount lenses without the need for additional accessories. The camera’s essence lies in honoring the creative aesthetic that lenses – including anamorphic ones – bring to your work.

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5.0-inch Large LCD Monitor

Equipped with a 5.0-inch display, this camera boasts a high-resolution panel with 6.22 million dots, making it remarkably easy to check focus and color accuracy – crucial for precise decisions on set.

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Dedicated Handle

A dedicated handle is included, designed for both ease of use and advanced functionality. On the side of the handle is a dial for focus, zoom, or iris control. When paired with electronically controlled lenses, these dials enable smooth, precise adjustments for real-time fine-tuning. Switching the dial to the ND setting allows you to smoothly adjust the density of the electronic variable ND filter on the fly. The handle base features a sliding rail syste, allowing for quick and effortless repositioning of the balance point to accommodate changes in overall weight when attaching batteries or lenses.

Intuitive Operation
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Dual Side Monitor

To meet the practical needs of shooting environments, GFX ETERNA 55 is equipped with independent 3.0-inch LCD monitors on both sides of the body. These displays provide real-time information such as recording status, exposure, audio levels, and recording formats, allowing both the cinematographer and assistant to simultaneously monitor essential data – perfect for on-set collaboration.

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Accessory Mounting Points

The top of the camera body and handle feature multiple accessory threads in two sizes (1/4in-20 and 3/8in-16) for easy attachment of accessories including monitors, microphones, and wireless transmitters.

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Connector Ports

In addition to 12G-SDI and HDMI video output terminals, GFX ETERNA 55 is equipped with a wide range of professional-grade interfaces including GENLOCK, REMOTE, 12V DC power port, and LENS connector.

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Button Layout

The control buttons are thoughtfully arranged to allow seamless operation without interrupting the shoot.
In addition to seven customizable buttons, there are a total of 12 buttons integrated with the GUI on both side monitors. This setup enables intuitive and efficient camera operation, even for solo operators.

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Weather-Resistant Body

In addition to delivering high image quality and performance, GFX ETERNA 55 is also built to withstand harsh environments. The entire body features a dust- and water-resistant construction (except for V-Mount battery attachment terminal), making it reliable for use in challenging conditions such as dusty locations or sudden weather changes on outdoor sets.

Battery & Media
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Battery

GFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm’s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting*1 . Additionally, the NP-W235 battery alone provides approximately 30 minutes*2 of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.

*1 Not supported while recording
*2 Under 25℃ environment

Media

The use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.

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Model name
FUJIFILM GFX100RF
Declaration of Conformity

Specifications

Model Name FUJIFILM GFX ETERNA 55
Lens Mount FUJIFILM G mount
Image Sensor 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Number Of Pixels 102 million pixels
ND Filter Electronic Variable ND Filter, 0.6(ND4)~2.1(ND128)
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage Media SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
CFexpress Type B Card (-2TB)
SSD (-2TB)
Sensitivity Movie
Standard Output: AUTO, ISO400~12800 (1/3 step)
Extended Output: ISO100~ISO320 (1/3 step), ISO25600
Exposure Control TTL 256-zone metering, Multi, Spot, Average, Center Weighted
Exposure Compensation -2.0EV~+2.0EV (1/4EV step)
Dynamic Range 14+Stop (F-Log2 / F-Log2 C)
Shutter speed / Shutter angle 1/8 sec~1/8000 sec, 5.6°~ 360°
Focus Mode: Continuous AF, MF
Type: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance: Contrast 1EV (GF32-90mmT3.5 attached), Phase Detection -2EV (GF32-90mmT3.5 attached)
AF Frame Selection: Single Point AF (13×9 / 25×17), Wide/Tracking AF (MULTI / TRACKING / AREA)
Face/eye Detection: Yes
Subject Detection: Yes (FACE/Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Side Monitor Monitor: 3.0 inch Touch Screen Color LCD Monitor
Aspect Ratio: 3:2
Dots: Approx. 1.04 million dots
Movie Recording File Format:
MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)

Movie Compression:
All Intra, Long GOP
8K(17:9):
File Size: 8192 x 4320
Frame Rate: 24p, 23.98p

Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

8K(16:9):
File Size: 7680 x 4320
Frame Rate: 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

8K(2.76:1):
File Size: 8192 x 2968
Frame Rate: 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

6.3K(16:9):
File Size: 6382×3590
Frame Rate: 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

5.8K(2.39:1):
File Size: 5824×2436
Frame Rate: 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

5.4K(17:9):
File Size: 5440 x 2868
Frame Rate: 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

4.8K(3:2):
File Size: 4776 x 3184
Frame Rate: 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

4.8K(16:9):
File Size: 4776 x 2688
Frame Rate: 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

4.6K(1.38:1):
File Size: 4664 x 3380
Frame Rate: 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)
4.6K(1.195:1):
File Size: 4040×3380
Frame Rate: 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

DCI4K(17:9):
File Size: 4096 x 2160
Frame Rate: 59.94p, 50p, 48p, 47.95, 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

4K(16:9):
File Size: 3840 x 2160
Frame Rate: 59.94p, 50p, 48p, 47.95p, 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

4K(4:3):
File Size: 3840×2880
Frame Rate: 48p, 47.95p, 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

Full HD(17:9):
File Size: 2048 x 1080
Frame Rate: 59.94p, 50p, 48p, 47.95p, 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

Full HD(16:9):
File Size: 1920 x 1080
Frame Rate: 59.94p, 50p, 48p, 47.95p, 29.97p, 25p, 24p, 23.98p
Bitrate: 720Mbps, 360Mbps, 200Mbps, 100Mbps, 50Mbps (All Intra only available at 720 Mbps and 360 Mbps)

Notes:
Selectable mode will be changed depending on the “Image Format” setting.
For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
Selectable bitrate will be changed depending on the setting.
Apple ProRes codec can be only recorded to CFexpress Type B card.
Bitrate for Apple ProRes codec is not selectable.
Recording time can become short depending on the temperature and/or shooting conditions.
Film Simulation Mode 20 modes:
PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std,
Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter,
ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter,
Black & White + R Filter, Black & White + G Filter, Sepia
White Balance Auto: White Priority, Auto, Ambience Priority
Custom: Custom
Color Temperature: 2000K~11000K, CC(-16.00~+16.00)
Wireless Transmitter Standard: IEEE802.11a/b/g/n/ac
Encryption: WPA2, WPA3
Access Mode: Infrastructure mode
Bluetooth® Standard: Bluetooth Ver. 4.2 (Bluetooth Low Energy)
Operating Frequency: 2402〜2480MHz
Terminal Digital Interface: USB Type-C®
HDMI Output: HDMI OUT connector (Type A)
LAN Terminal: LAN connector 1000BASE-T、100BASE-TX、10BASE-T
Others:
ø3.5mm stereo mini connector (Microphone)
ø3.5mm stereo mini connector (Headphone)
ø2.5mm connector (Remote Release)
TC IN/TC OUT connector
GenLock connector
12G SDI OUT connector: max 4K59.94p 12G/6G/3G
LENS connector (12-pin): Power supply 14V-0.5A
V-mount battery attachment terminal
Handle connection terminal
DC OUT 12V connector: 2-pin LEMO, 12V 3A
LCD monitor cable connector
DC IN connector: 4-pin for AC-15VS
Power Supply NP-W235 Li-ion battery (included)
DC IN: AC-15VS AC power adapter (included)
V-mount battery
Dimensions Width: 110.8mm
Height: 138.2mm
Depth: 176.8mm
Weight Approx. 2.0kg (excluding battery and memory card)
Operation Environment Operating Temperature: -10℃~+40℃
Operating Humidity: 10% – 80% (no condensation)
Power Consumption Standard: 21W (with lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1, excluding accessories other than the LCD monitor and handle)
Maximum: 49W (with lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High, including accessories, DC OUT 12V not connected)
Accessories Included Li-ion battery NP-W235
AC power adapter AC-15VS
AC cable
Body cap
Handle
LCD Monitor
LCD Monitor hood
LCD attachment
PL-Mount Adapter

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