Prashant Panjiar

Prashant Panjiar

Born 1957, Prashant Panjiar is a photographer, picture editor and curator.

He has worked as a photojournalist and editor in mainstream media (India Today, Outlook & Indian Express) and as an independent photojournalist for leading publications such as Time Magazine, Focus, New York Times, amongst others. As a documentary photographer he works on issues of health, education and livelihood for international non-profit organizations such as the Bill & Melinda Gates Foundation, American India Foundation, UNFPA, IPPF & HIV-AIDS Alliance.

Panjiar has curated all 3 editions of the Delhi Photo Festival (2011-15) of which he is the co-founder and co- Creative Director. In 2014 he curated a permanent collection of contemporary photography for the new corporate building of Star TV India in Mumbai. In 2015 as Creative Director he curated, and helped conceive the first edition of Sensorium, a festival of Arts, Literature & Ideas for Sunaparanta, the Goa Centre for the Arts. He is the project curator for Kanu’s Gandhi, the third title in the Nazar Photography Monographs series, and of the resulting exhibition. He is currently engaged in curating a major photography show for the Serendipity Arts Festival 2017 for which he was the curator in 2016 too.

Panjiar has served on the jury of the World Press Photo Awards, the China International Press Photo Competition, Indian Express Press Photo Awards and the National Foundation of India’s annual photography fellowship.

Being one of India’s leading photo-practitioners, Panjiar is actively involved in mentoring younger photographers.

TESTIMONIAL

My travels and my documentary work involves interacting with people and being unobtrusive while also keeping weight and bulk of my equipment to a minimum. All these factors combined with excellent image characteristics made me jump into the Fuji system with the X100S in 2013. Over the next few years, I travelled extensively with it and eventually, completely switched form DSLRs to the Fujifilm Mirrorless system. I now use them exclusively for all my work. For me the X System gets out the way and allows the photographer to actualize the vision while at the same time provides the quality and technological support needed for professional work. The design and usability makes the cameras invisible and helps it to gel well with documentary and travel photography to the point that I think it becomes an extension of the eye.

GEARS

X-Pro2

X-T1

XF14mmF2.8 R

XF23mmF2 R WR

XF35mmF1.4 R